Tuesday, November 15, 2011
Florida Issue of SxSE Magazine
The November issue of South by Southeast Magazine is now out, and available for a modest contribution, here.
It's mainly about Florida. Now, I went swimming outdoors in the evening once in Florida (and northern Florida at that) and I was perfectly comfortable until it hit me that I was swimming outdoors, in the evening, and it was the middle of November.
I know its supposed to be hot in the South, but in Florida I was swimming outdoors, in the evening, in the middle of November.
So I've never been sure that Florida is in the South. I think it's Someplace Else. I think it's its own place.
I'm not sure where it is, exactly, but I do know that Miami or Tampa do not feel like Southern cities, the way Atlanta or Charlotte or Birmingham or Columbia or Memphis or Savannah or Richmond do.
But it IS there, wherever it is, and Nancy and all the crew at SXSE have made an exceptionally strong accounting of it.
Here, among many other interesting things, you've got Vivian Maier’s Florida mid-century vacation photos, Jonathan Smith’s Florida coast photos from his series East/West, Florida highway scenery from Christian Harkness, Lisa Elmaleh’s black-and-whites of the Florida Everglades (see example above), Warren Thompsons’ south Florida postcards and souvenirs, Panoramic black-and-white images of south Florida from Mario Algaze, and Florida interiors by Joelle Jensen.
Wherever or whatever Florida is, these folks make some strong visual records of it, and I feel much more like I have my head around the place.
And then there are all the regular features. Well worth your attention!
Friday, November 4, 2011
FOTOWeek DC is Upon US
The attention of photography festival aficionados in the South now shifts from Atlanta to Washington, DC, where the smaller-scale but no less significant FOTOWeek DC is upon us.
FOTOWeek DC Opens tomorrow, November 5th, 2011, with a run through November 12th. The Official Launch Party is tonight, November 4th, tickets here.
FOTOWeek DC also runs competitions, the winners are listed here, and include Dallas, TX based photographer Nick Minton (image above) and Raleigh, NC based photographer Jimmy Williams, who won one of these awards last year and received an Honorable Mention this year.
The Official Program of Exhibitions is here. Among the major shows up this year for FOTOWeek DC is the show of Harry Callahan's work at the National Gallery, the Gordon Parks and the Prix Pictet Shows at the Corcoran Gallery, the Beyond Witness exhibit of photojournalism at the Pulitzer Center, and the major group shows at Zone 2.8 and Civilian Arts Projects Galleries.
The Prix Pictet show at the Corcoran seems especially significant, since Prix Pictet is a prestigious prize awarded to photographers whose work addresses social and environmental change and this is the first presentation of Prix Pictet in the United States.
This year the theme of the competition was Growth. The twelve artists featured in this show were shortlisted for this competition are Christian Als (Denmark), Edward Burtynsky (Canada), Stephanie Courturier (France), Mitch Epstein (United States), Chris Jordan (United States), Yeondoo Jung (Korea), Vera Lutter (Germany), Nyaba Leon Ouedraogo (Burkina Faso), Taryn Simon (United States), Thomas Struth (Germany), Guy Tillim (South Africa), and Michael Wolf (Germany).
The American photographer Mitch Epstein was awarded the Prix Pictet this year for his series American Power.
There is of course a Portfolio Review, and workshops, and panels, and photography projected on DC buildings after dark -- a jam-packed week of photography.
I was there last year, but won't make it this year. But I will truly miss it.
Jennifer Schwartz' Crusade in the Atlanta Journal-Constitution
Jennifer Schwartz' plans to tour the country developing new markets for fine art photography and selling images from the back of a Volkswagen bus is featured in today's Atlanta Journal-Constitution.
Go here.
I'm now signed up through Kickstarter in this campaign to get Jennifer on the road out of Atlanta. This seems a crusade worth taking part in.
Thursday, November 3, 2011
This and That -- Matt Eich, Critical Mass, Jerry Atnip, Lori Waselchuk
Norfolk, VA based photographer Matt Eich is interviewed at length on Joerg Colberg's Conscientious blog, here.
Richmond, VA based photographer Susan Worsham (see image above), Austin, TX based photographer Sarah Wilson, Washington, DC based photographer Susana Raab, Atlanta, GA baased photographer Sarah Hobbs, Tacoma Park, MD, based photographer, Michelle Frankfurter, and Houston, TX based photographer Scott Dalton are among the Nifty Fifty in this year's Critical Mass competition.
Not bad representation from folks from around here. Way to go, folks.
Also, Nashville, TN based photographer Jerry Atnip is featured in a fine article, with lots of Jerry's photographs, in the current issue of Nashville Arts Magazine, here.
Finally, Philadelphia, PA based photographer Lori Waselchuk's portfolio Grace Before Dying of images made in Angola Prison in Louisiana is up at the Umbrage Gallery in Brooklyn, NY, through January 12th, 2012.
Burk Uzzle and J. Lucian Scott at Flanders Gallery
Flanders Gallery, here in Raleigh, is known for its exceptionally strong photography shows. Another one is now up and will have its opening reception this Friday, November 4th, 2011, with a reception from 6-9 in the evening.
This show features Burk Uzzle, one of North Carolina’s major photographers. Burk was born in Raleigh and after apprenticing with the Raleigh News & Observer, went to work for LIFE Magazine in 1962, at the age of 25, then had a long career with Magnum.
Burk is best known for his iconic images of the Civil Rights Movement and the Woodstock Music Festival. He now lives and photographs in Wilson, NC.
This show groups a small body of Burk’s work around issues of serial composition, images in which, for example, a line-up of young children clasping hands addresses issues of societal norms and personal pride in appearance. In other images, the natural environment and the manufactured world clash in the meet-up of a pony and rocking horse, or a Prada store sits isolated in the midst of the desert.
This show groups a small body of Burk’s work around issues of serial composition, images in which, for example, a line-up of young children clasping hands addresses issues of societal norms and personal pride in appearance. In other images, the natural environment and the manufactured world clash in the meet-up of a pony and rocking horse, or a Prada store sits isolated in the midst of the desert.
The other photographer featured in this show is J. Lucian Scott, born on a tobacco farm in North Carolina, who now moves between his family farm and his home in Los Angeles.
This show features work from his Welcome to the Beautiful South portfolio, images that he bases on his experience of a bucolic childhood growing up in the South and as an identical twin, both of which have greatly influenced his work.
Flanders Gallery says of this work that these “photographs merge figurative elements and classicism with the realities of his life experience, and range from portraiture to landscape and still life.”
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