Wednesday, November 7, 2018
The Halsey Institute, together with City Gallery at Waterfront Park, both in Charleston, SC, now has up SOUTHBOUND: Photographs of and about the New South, through March 2nd, 2019.
This show is a major landmark in contemporary Southern photography, featuring the work of 56 of the best photographers working in the South today (including Durham's Titus Brooks Heagins, see image above), all of whom contribute to the project's overall goal of "offering a composite image of this storied region."
The work on offer in this show includes photographs that reveal the South as "a bastion of tradition, as a region remade through Americanization and globalization, and as a land full of surprising realities."
I had the chance to meet Mark Sloan and Mark Long a while back, and their enthusiasm for this project was extraordinary. The show they have assembled justifies fully their enthusiasm.
This show is not to be missed. The good news is that once it comes down in Charleston, it will move to other places. We'll keep you informed about its stops along the way.
In the meantime, seek out the massive catalogue of the show, now available here.
You can also check out the show's own website, here.
On the website, don't miss the MAP OF SOUTHERNNESS, here.
Also check out the feature story about this show from TIME, here.
And, whatever you do, if you practice or care about photography in the American South, you have to see this show.
You really do.
Your faithful blogger is returning to his work documenting the world of Southern photography. At least, on a limited basis.
I recognized last winter that I had taken a 'way too expansive view of my subject when I started this blog back in 2009.
So I wound up spending lots of time trying to keep up with every show, every publication, every photography related event that came to my attention.
I plan a more selective view this time, but hope my work is still useful.
If anyone feels left out by my new policy, please let me know.
We will see how this goes.
Tuesday, June 19, 2018
Yr humble servant is beginning to emerge from his sabbatical, at least to recognize major events.
Here's one definitely worth a visit, when you are in Atlanta.
The Atlanta Photography Group is now hosting an exhibition of Southern photography called Know South / No South, up through July 14th, 2018 in its gallery space at the Tula Art Center.
Photographers whose work is included in the show are Aaron Blum, Rosie Brock, Akea Brown, Joshua Dudley Greer (see image above), Jennifer Garza-Cuen, Aaron Harding, and Anderson Scott.
Work in this show, juried by Richard McCabe, Curator of Photography at the Odgen Museum in New Orleans, were chosen to address the perennial question, "Is the South still a distinct cultural and geographical region apart from the rest of America?"
APG says the work on offer "explores and challenges the idea of Southern identity in the 21st century."
Monday, March 5, 2018
Distinguished Southern photographer Sally Mann is having a major retrospective show of her work at National Gallery of Art in Washington, DC, up now through May 28th, 2018.
This is too important an event for Southern photography for me to let it slip by unnoticed.
For a review of this show by Grace Hale, writing in Southern Cultures, go here.
This show signals Mann's acceptance as among the most distinguished of living American artists
The show contains some 110 of Mann's photographs, ranging over her entire career. Here is what the National Gallery says about the show:
"For more than forty years, Sally Mann (American, born 1951) has made experimental, elegiac, and hauntingly beautiful photographs that explore the overarching themes of existence: memory, desire, death, the bonds of family, and nature’s magisterial indifference to human endeavor.
"What unites this broad body of work is that it is all bred of a place, the American South. A native of Lexington, Virginia, Mann has long written about what it means to live in the South and be identified as a southerner.
"Using her deep love of her native land and her knowledge of its fraught history, she asks provocative questions—about history, identity, race, and religion—that reverberate across geographic and national boundaries.
"Sally Mann: A Thousand Crossings considers how Mann’s relationship with this land has shaped her work and how the legacy of the South—as both homeland and graveyard, refuge and battleground—continues to permeate American identity.
"Organized into five sections—Family, The Land, Last Measure, Abide with Me, and What Remains—and including many works not previously published or publicly shown, the exhibition is the first major survey of the artist’s work to travel internationally.
"The exhibition is accompanied by a fully illustrated catalog with essays that explore the development of Mann’s art; her family photographs; the landscape as repository of personal, cultural, and racial memory; and her debt to 19th-century photographers and techniques."
Mann's show will travel after it closes in DC to the Peabody Essex Museum in Salem, Mass., then to venues in Los Angeles, Houston, Paris and Atlanta.
This is a not-to-be-missed show for all of us, and for anyone interested in Southern photography.
Here is a review of this show, from the Washington Post.
Friday, January 12, 2018
The Southern Photographer (aka John N. Wall, see image above) is taking a sabbatical. Professional work demands are crowding in while the subject of Southern photography continues to expand in scope and variety.
As some of you know, I have a day job as a professor of English literature at NC State University.
We've been funded by the National Endowment for the Humanities to recreate through digital modeling the look and sound of worship in St Paul's Cathedral in London in the 1620's. We are recreating a part of London that was totally destroyed by the Great Fire of London in 1666.
Here is a preliminary example of the kind of thing we are trying to produce.
You can see more if you go here: vpcp.chass.ncsu.edu
Our grant runs out at the end of this year, and there is till much to do. I'm not doing anyone any favors by trying to fit in work on this blog along with trying to meet deadlines with this multi-year project.
So, after 8 years, 833 blog entries, 163 loyal followers, and 530,676 pageviews, we take a pause.
Durham-based photographer Titus Brooks Heagins (see image above) and Asheville-based photographer Ralph Burns (see image below) have work in a group show called Created by Light -- Photographs from North Carolina Collections, now up through February 11th, 2018 at the Cameron Art Museum in Wilmington, NC.
Heagins and Burns will discuss their work at a gathering at CAM Wilmington on Sunday, January 14th, 2018, at 2:00 pm. The discussion will be monitored by Jennifer Dasal, Associate Curator of Contemporary Art at the North Carolina Museum of Art, in Raleigh.
This exhibition explores the photography collections of eight North Carolina institutions, including the Ackland Art Museum, Chapel Hill; the Asheville Art Museum, Asheville; the Cameron Art Museum, Wilmington; the Gregg Museum of Art & Design, Raleigh; the Greenville Museum of Art, Greenville; the Nasher Museum of Art, Durham; the Weatherspoon Art Museum, Greensboro; the Mint Museum, Charlotte; and the North Carolina Museum of Art.
The over 100 works included in the exhibition range from 1887 to 2016 with pioneers of the medium including Ansel Adams, Diane Arbus, Lewis Hine, Robert Maplethorpe, Edward Muybridge, Andres Serrano, Mickalene Thomas, Lorna Simpson and Alfred Stieglitz.
North Carolina photographers with work in this show, in addition to Burns and Heagins, include Diego Camposeco, Carolyn DeMerritt, Taj Forer, Cathryn Griffin, George Masa, Elizabeth Matheson, John Menapace, Susan Harbage Page and Caroline Vaughan.
Definitely worth a visit to Wilmington!