Great News from Rebekah Jacob -- Gallery Expansion

Great news from Rebekah Jacob, who runs the Rebekah Jacob Gallery in Charleston, dedicated, mostly, to photography of the American South.

Rebekah has had a splendid gallery  at 109 Lower King Street, in Charleston, for some time. Now, she is moving to 502 Upper King Street, a new location that will give her triple the space she has had at her current address.

“Rebekah Jacob Gallery is about being progressive and experimental, seeing talent in emerging artists and genres while recognizing the contributions of past generations of artists,” says Jacob. “I can’t think of a more appropriate place to continue making our mark than among our dynamic new neighbors Uptown.”

Rebekah opens the new Gallery on April 12th, 2012, with a reception from 5:30-8:30 pm.

Congratulations to Rebekah! We'll definitely drop by for a look the next time we are in Charleston.

The Oxford American's List -- the Rest of the Story

OK, with the current issue of the Oxford American in hand, I can report on the rest of the photographers on their list of 100 under 100: The New Superstars of Southern Art.

The are, as follows:

Nikita Gale
Leslie Burns
Tim Hussin
Wilmer Wilson IV
Jody Fausett
McNair Evans
Kelly Anderson-Staley
Jamie Baldridge

This makes a total of 30 photographers out of 100 people (or partnerships) on the Oxford American's list. Which, I guess, is a kind of recognition of photography's importance that is good for photographers in the South.

The printed edition of the magazine also makes clear that the Oxford American is not trying to establish a definitive canon of the South's best artists under 100 years old, as the title of the list implies, but instead to come up with a list of "new superstars," which is a different matter.

I have real trouble with lists like this one. On the one hand, there are a number of names here that I was previously not familiar with (much to my chagrin), and its always good to learn about more folks who are doing good work.

I think any kind of publicity in the arts is good for the folks who receive it, especially in the South, with our tradition of suspicion of the visual and the aesthetic. Glad to know the folks at the Oxford American are paying attention and are in an appreciative mood.

On the other hand, I can think -- without really trying very hard -- of a dozen or twenty-five or a hundred names of photographers working in the South who are doing splendid work, work especially deserving of inclusion on a list like this.

I suggest you check out the names that appear to the right of this message that do not appear on the Oxford American's list, if you need any proof of what I mean.

That said, lists are helpful to the folks who appear on the lists. Still, numbers like "100 under 100" are gimmicks of the publishing business.Editors think they generate excitement and sell copies.

As Walter Cronkite used to say, that's the way it is, in the world we live in, even in the South.

The Oxford American Chooses the South's Best Photographers

The Mississippi-based journal the Oxford American has chosen the top 100 Southern artists, and a lot of them are photographers.

The folks at the Oxford American came up with this list by consulting, they say, "gallery owners, curators, critics, [and] artists."  They have not posted all the winners on their website -- the top 40 are only listed in the print edition of the journal, and my copy hasn't made it to me yet.

But the website does list the bottom 60, and here are the photographers from among them:

Susan Worsham
Matt Eich
Frank Hamrick
Christopher Sims
Jon-Phillip Sheridan
Jessica Ingram
Louviere + Vanessa
Angela West
Johnathon Kelso
Alex Leme
Nathan Alexander Ward
Jason Miller
Daniel J. Moskop
Paul Outlaw and Jennifer Catron
Tammy Mercure
Ben Gately Williams
Blake Fitch
Jonathan Michael Hicks
Brandon Thibodeaux
Shelley Calton
Jennifer E. Fairfax
Eliot Dudik.

Great to see these folks getting this kind of recognition. Some of the names are familiar to us, while others are not. 

I'm always delighted to learn of photographers new to me, and I will be getting these folks into my lists of photographers as I get to know them better. I will also be sending along the Top 40 as soon as I get my hands on an Oxford American.

SXSE for March 2012 -- Springtime in the South

Nancy McCrary and all the good folks at the Soutb by Southeast Photomagazine (SXSE) have released their March 2012 issue. This issue is devoted to springtime in the South, which came early this year. In fact, this year will go down in Southern History as the Year Without a Winter.

And this month, you have no reason, no reason whatsoever, not to check out the fine work on offer to celebrate springtime in the South.

Nancy has provided a link on SXSE's  home page to enable you to sign up for a month of SXSE absolutely free (no one will call, as they used to say down here).

You owe it to yourself, yes you do, to sign up and experience all the riches of photography in the South, on offer in SXSE every month.

This month, for example, you will see work by Shannon Johnstone (see image above) as well as images from Keith Carter, Dave Anderson, Peter Essick, Kathryn Kolb, Vicki Ragan, Victoria Ryan, Gayle Stevens, Bob Poe, Anne Berry, and Woody Woodruff. 

Not to mention interviews with Sondra Gilman on her collection of photography and Brett Abbott on his new role as photography curator at the High Museum in Atlanta.

Please, have a look, take advantage of Nancy's generous offer, and see why you should sign up as a regular subscriber.  

Laura Noel on La Lettre de la Photographie

Atlanta-based photographer Laura Noel's image Smoke Break is the subject of a feature story on the blog La Lattre de la Photographie. 

The folks at La Lettre note that Laura's image shows us the "residue of glamour" that is still associated with smoking -- "the theatrical inhaling and exhaling, the sensual pleasure of watching smoke float and dissipate in the air, and the primal tie to fire. Though we may not approve of the act, we can understand the appeal of smoking, however false it may turn out to be."

Laura is one of my favorite Southern photographers, and has been since she was in a juried show at the Gregg Museum here at NC State a few years back.

Congratulations to Laura for this celebration of her work.

Richmond, Virginia Photographers on Exhibition

Late Winter 2012 brings a number of shows featuring Southern photographers based in Richmond, Virginia.

Richmond, VA-based photographer Tom Chambers is having a show of his surreal images (see above) through this month at the Modernbook Gallery,on the 4th Floor at 49 Geary, in San Francisco.

Another Richmond, VA-based photographer, Lee Saloutos, is having a show of photographs from his Nevada Mines portfolio, now up through March 25th, 2012, at the Nicolaysen Art Museum, at  400 E. Collins St., in Casper, WY.

And yet another Richmond, VA-based photographer, Jon-Phillip Sheridan, is having  a show of his photographs as part of the PhotographyNOW2012 exhibition, opening March 10 and up through April 22, 2012, at the Center for Photography at Woodstock in Woodstock, NY. 

And, finally, Richmond, VA-based photographer Susan Worsham is one of the featured photographers for 2012 in Light Work's Print Purchase Program, in elite company along with William Wegman, Kelli Connell, and Tony Gleaton.

What is it about Richmond? And photography?

Photography Festivals on the Horizon for Spring 2012 -- FotoFest and Look3

The Spring Photo Festivals are on the horizon. Lots of these seem to take place in the South.

First up in 2012 is the daddy rabbit of them all (to use a Southern vernacular expression), FotoFest in Houston, which proudly claims to be the Oldest and the Biggest, and promises to have much to offer in this edition, running this year from March 16th - April 29th. 

There will be a major show of Russian photographers, multiple other exhibitions and events, and  the usual Portfolio Review.

For more details of FotoFest 2012, go here.

And for a grand photography festival, but on a much more compact scale, Look3 Festival of the Photograph 2012 will take over downtown Charlottesville, VA from June 7th-9th, 2012.

Look3 involves a transformation of Charlottesville into a temple of photography through outdoor projections of photographs, gallery and museum shows, artists' talks and panel discussions, and multitudinous workshops.

One has the feeling of total immersion into the practice of photography, or, as they like to put it, 3 Days of Peace, Love, and Photography.There's a definite Southern vibe, too. Note the photograph above, from their website, and consider how it captures the world of Southern university towns.

Artists featured this year include Alex Webb, Donna Ferrato,Stanley Greene, David Doubilet, Hank Willis Thomas, Lynsey Addario, Bruce Gilden, Robin Schwartz, and Camille Seaman.

If you have been to Look3, you know what a fine time this is. And if you haven't, those of us who have been can't imagine what you are waiting for.

Eliot Dudik on the PDH 30 New Photographers List for 2012

Columbia, SC-based photographer Eliot Dudik has been recognized by Photo District News (PDN) as one of 30 New and Emerging Photographers to Watch in PDN's April issue.

If you are a subscriber to PDN, you can see Dudik's full-page write-up in PDN's online edition here. Otherwise, you will need to wait until the April issue is available on the newsstand.

In addition to Dudik, photographers with Southern connections who made the PDN 30 New and Emerging Photographers List for 2012 include Daniel Shea, born in Washington, DC but now working in Chicago; Kyle Alexander, born in Kerrville, TX but now working in Los Angeles; Mark Mahaney, born in Chicago and now working in Brooklyn, who studied photography at SCAD in Savannah, GA; Dominic Bracco, born in Texas but now wirking in Mexico; Mark Fisher, born in Maryland but now working in Idaho; and Jenn Ackerman, born in Virginia Beach, VA but now working in Minneapolis.

Congratulations to Eliot, and to all who made this list.

North Carolina Photographers on Display

Some of our best photographers based in North Carolina have, or have recently had, work in shows from Raleigh to Atlanta.

Chapel Hill, NC-based photographer Susan Harbage Page has work (see image above) in a large multi-media show called Barkcloth, Bras, and Bulletproof Cotton: The Powers of Costume, now up through May 12th, 2012, at the Gregg Museum of Art and Design on the campus of NC State University.

Page's work, part of the permanent collection at the Gregg, helps the museum explore "not only how clothing serves to protect, shelter, shield, and modify the human body, but also how what we wear helps us lure, seduce, dominate, segregate or manipulate others, discover spirituality and personal self awareness, proclaim our individuality or group membership, or express ourselves."

Raleigh-based photographer Shawn Rocco has a show of his work now up at the Ackland Art Museum Shop at the intersection of East Franklin and Columbia Streets near the campus of the university of North Carolina in Chapel Hill.

You can get a glimpse of Rocco's show on his blog, here. 

Also, Durham, NC-based photographer Titus Heagens is one of the photographers exhibited by the Arnika Dawkins Gallery in Atlanta. Dawkins' gallery is "devoted to presenting fine art from both emerging and established photographers, specializing in images by African Americans and of African Americans.”

Dawkins discusses Heagens' work and the work of others in a video available on the website of artrelish, Atlanta's visual arts website. You can watch her comments here.

One, One Thousand for February Explores Our Conceptualization of Human Identity

One, One Thousand, the online bimonthly magazine of Southern photography, gives us a twofer for early February, portfolios from two different photographers, both of whom are dealing with the depiction of identity.

Photography -- generally speaking -- functions in the aesthetic tradition of mirroring reality. The work here challenges traditions of conceptualizing identity, the one by showing us portraits of a humanoid mask rather than a human face, the other by inviting us to contemplate the faces of folks who live out the transcendence or confusion of traditional notions of gender identity, what it looks like to be male or female.

Athens, GA-based photographer Leslie Burns gives us Frank, a portfolio in which a mask, vaguely humanoid in design and originally intended to help people learn CPR, appears -- mostly but not always -- worn by someone in an otherwise relatively ordinary situation.

Drawing on the practice of another Southern photographer, Ralph Eugene Meatyard, Burns notes that the mask can be disconcerting, even frightening, to the viewer, but she claims that the wearer of the mask, "through his or her body language, is able to communicate universal emotion." 

"Once the viewer gets over the initial shock of the disconcerting mask," Burns argues, "he or she can see that "Frank" feels the same emotional highs and lows that we all share." As a result, "the viewer is shaken free of any preconceptions and is able to recognize how similar we are, as beasts and as humans, so that we may bypass the prejudices we hold for the unknowns and appreciate each other on an immediately genuine level."

New Orleans-based photographer Eddie Lanieri takes another approach to the question of the Other, using a series of portraits of male transvestites -- mostly seen in the process of transforming from stereotypically male to stereotypically female appearances -- to remind us that gender is itself a kind of performance, with its costumes and its masks. 

Lanieri calls this portfolio Dressed as a Girl, the presumed origin of the acronym DRAG. She says that she tries in this work to "deconstruct the theater of gender impersonation by questioning the implications of gender perception and roles . . .  trying to encourage the conversation of what does being female mean; is it just an outward drama that we play out in front of other members of society or is it something other?"

The people in these images are performers in New Orleans; Lenieri notes that "the only time it is social acceptable for a man to wear makeup, jewelry and dresses when they are making objects of themselves for entertainment purposes. These entertainers are taking the most absurd forms of female and combing raunch for entertainment, which is very similar to the stripper culture."

Strong and challenging work, here, from Burns and Lanieri, in One, One Thousand, for the month of February. 

Burk Uzzle is Having a Show at the Lawrence Miller Gallery in NYC

Distinguished Wilson, NC-based photographer Burk Uzzle is having a show of his recent work at the Lawrence Miller Gallery, at 20 West Street, in Manhattan.

This show is of work from Uzzle's Burned portfolio, and you can see work from the show here.

I have seen pieces from this portfolio when it was on view during Burk's major show at Raleigh's Flanders Gallery last fall.

This is strong and compelling work. There is something about the fragility of the objects, and the randomness of what the fire did to them, and yet the compelling nature of the messages they present to us -- note the text that survives from the Bible that is now fading away -- that makes this work strongly evocative.

Like the photojournalist he used to be, Burk knows that sometimes the wonders of life often appear unexpectedly.

In this case, Burk discovered by chance the ruins of an old country store that had burned years before. In the ruins, he found a host of things -- charred books, rag dolls, and other objects -- that, he says, practically crumbled to his touch. 

Burk took them back to his studio and used studio lighting and a large-format view camera to make the images in this show, images that the Gallery rightly calls "brooding, yet affirmative; filled with mystery and glowing light; and intimate though presented in monumental scale." 

Congratulations to Burk for this fine body of work and for this show. 

SXSE for February 2012

The February 2012 issue of the online version of South by Southeast (SXSE) is now available, here, with full access limited to subscribers (and you ought to be a subscriber, you know you should).

This issue is devoted to photographers working in Southern Appalachia.  Good to see the landscapes and the folks and to be reminded of the issues folks up there are living with.

The editor, Nancy McCrary, reports that the contents include the following featured photographers: Builder Levy, Sarah Hoskins, Tim Barnwell, Tammy Mercure, Ken Abbot, Jerry Atnip, Bill Bamberger, Burk Uzzle (see image above), and  Mark Steinmetz.

Good to see so many North Carolina photographers here, including Ken Abbot, Tim Barnwell, Bill Bamberger, and Burk Uzzle. 

Everyone's images are great, and the interview with Burk Uzzle about his career as a photographer for Life, Magnum, and working freelance is worth the price of the whole issue.

If you are not a subscriber, its really time you were. 

The interviewer should have asked Burk about the time he met Aaron Siskind in Chicago, however.

Oh well, maybe next time.