Christmas at Graceland -- December 2016

In the words of Paul Simon, "I have reason to believe we all shall be received in Graceland." 

Best wishes for a joyous Holiday season to Southern photographers and Southern photography fans everywhere. 

The Southern Photographer will now take a short break from chronicling Fine Art Photography in the American South while your humble blogger attends to other professional and personal responsibilities.

Thank you for your interest in The Southern Photographer, and especially for your kind words of support for this blog during the past year. 

We look forward to resuming our chronicle after the 1st of January 2017. 

In the meanwhile, remember that Christmas is a season, not just a day, and the season of Christmas is 12 days long. So its Christmas from December 25th of 2016 all the way through until Twelfth Night, January 5th, 2017. 

In the meantime, we wish you all the joy that the holiday season can bring, and a Happy New Year, too. 

JNW

Catrching Up with Eyes on the South -- Late Fall 2016

Photographers featured since mid-October in Jeff Rich's ongoing feature Eyes on the South, for the Oxford American, include the following:

Savannah-based photographer Carson Sanders (see image above), with work from his Ghost Coast portfolio. 

South Florida-based photographer Melanie Metz (see image above), with work from her Rodeo portfolio.

 
New York-based photographer Shane Lavalette, with work from his One Sun, One Shadow portfolio.

Savannah-based photographer Parker Stewart (see image above), with work from his Slowly, Over Time portfolio. 

Atlanta-based photographer John Prince (see image above), with work from his Near and Elsewhere portfolio.  

Savannah-based photographer Justin Ward (see image above), with work from his Unmanned Landscapes portfolio. 

Columbus, GA-based photographer Rylan Steele (see image above),  with images from his Ave Maria portfolio. 

More to come from Eyes on the South, from The Southern Photographer!

Southern Photographers in the Nasher's Southern Accent Show

I have finally gotten to the Southern Accent: Seeking the American South in Contemporary Art show at Duke University's Nasher Museum, up now through January 8th, 2017. 

Yes, it has been just that kind of fall, so far, for me. But this show is definitely worth visiting if you are in Durham over the holidays.

The show is an effort through art to "question and explore the complex and contested space of the American South," according to the folks at the Nasher.

In the process, they want to document "the South’s profound influence on American culture, and consequently much of the world." And also to "address and complicate the many realities, fantasies and myths that have long captured the public’s imagination about the American South." And also to create "a composite portrait of southern identity through the work of 60 artists." And also to "reflect upon and pull apart the dynamic nature of the South’s social, political and cultural landscape."

Well, that's a lot, and all of it is important, even some of those goals sound contradictory to me.   

But the art is strong, including the photographs, and there is much here to contemplate.

The show includes a large and very diverse sampling of art in a number of media, including a strong gathering of photography, made chiefly since World War II. 

The photographers on offer include, of course, Eggleston, Christenberry, and Mann, as well as Jeff Whetstone, Mark Steinmetz, Tom Rankin, Burk Uzzle, and some other folks familiar to readers of the The Southern Photographer.

Here are some folks in the show we weren't so familiar with whose work is compelling. 

Cumberland Gap, Tennessee-based photographer Rachel Boillot (see image above) is included, with work from her Post Script portfolio. 

New York-based photographer Xaveria Simmons (see image above) is also in the show, with images that constitute self-portraits, with the photographer posed against iconic Southern landscapes. 

Tennessee-born photographer Jessica Ingram (see image above) has work in the show from her Road Through Midnight portfolio of images made at sites in the South important for the Civil Rights Movement. 

Diego Camposeco is in the show with work that helps us include the experience of the growing Hispanic community in the American South, from his Diego Saves the World portfolio.

Richard Misrach is also in this show, with images he made in New Orleans after Katrina, from his Destroy this Memory portfolio. 

Destroy this Memory has also been published in book form, go here.

Misrach has now done enough work in the South to be considered an Honorary Southern Photographer. 

So, strong photography forming an essential component of a major show documenting how the American South is currently being explored, and made meaning of, in the work of contemporary artists. 

Definitely worth your time and consideration if you are in Durham before the show closes on January 8th, 2017. 

Southern Photographers in the News -- Late Fall 2016

Some notes on Southern photographers who have published work recently -- 

Honorary Southern Photographer Carrie Mae Weems' book Kitchen Table Series (see image above), published in 2016 by Damiani/Matsumoto Editions, is beginning to show up in lists of the best photography books of 2016.

 Savannah, GA-based photographer Anna Brody (see image above) has had work from her Short Brown Grass portfolio featured in Issue 92 (November 2016) of Fraction magazine, go here.

Photographs made in Waynesboro, GA by San Diego-based photographer Abbey Hepner (see image above) of the construction of a nuclear power plant have been featured in Issue 93 (December 2016) of Fraction magazine, go here. 
 

New York-based photographer (but occasional photographer in the South) Shane Lavalette (see image above) has now self-published his portfolio of work done on commission from the High Museum in Atlanta with the title One Sun, One Shadow. 

Lavalette's work is organized around the idea of the music of the South, and is a meditation on the South by someone who did not grow up here. 

Lavalette's work has recently been featured by PDN in its online Photo of the Day feature, go here.

Chapel Hill-based photographer Bill Ferris (see image above) has recently published a book of his photographs with the UNC Press  under the title The South in Color.

For more about the book, go here and here.

Asheville-based photographer Tim Barnwell (see image above) has published in LensWork magazine a portfolio of gorgeous photographs of historically significant buildings and outdoor sites mainly in the cities of Charleston and Savannah. 

Barnwell's portfolio, titled Jewels of the Southern Coast, includes images of courthouses, churches, historic homes, commercial business, cemeteries, and other sites. 

You can see more of this portfolio of you go to Barnwell's website here. 

A portion of the work in this portfolio is in a group show called Southern Heritage – 500 Years In The Making at Atlanta's Lumiere Gallery, now through December 17th, 2016. 

Photographers in addition to Barnwell with work i this show include Thomas Neff, Edward Weston, Dorothea Lange, Peter Sekaer, Berenice Abbott and Arnold Newman.

Charlottesville, VA-based photographer Matt Eich (see image above) recently self-published a book of work from his Carry Me Ohio portfolio, which has been featured in a story in the New Yorker, go here. 

Mississippi-based photographer Maude Schuyler Clay's book Mississippi History (see image above)  has been the subject of an extended feature book review by Leo Hsu, in Fraction magazine, Issue 88, go here. 

Clay's work has also been featured in Garden and Gun magazine, go here. 

Congratulations to all these shooters for reaching these milestones of achievements and recognition in their careers. 

Ruddy Roye is Time Magazine's Instagram Photographer of the Year for 2016

For the second year in a row, Time Magazine's Instagram Photographer of the Year is a photographer who works in the American South. 

In 2015, the honoree was Stacy Kranitz; this year, its Brooklyn-based (but now Honorary Southern Photographer) Randolph (Ruddy) Roye.

 Roye's Instagram Feed is here. 

Time notes that "For the past four years, Roye has continuously photographed black people in and around his neighborhood and across America, each time with the stated goal of making people rethink their views and society-wide prejudices. 

“Before anything, before language, we see,” he says. “And if I can make you think about a particular subject matter before you even start to talk about it, then that’s my aim. My aim is to change your thought process.”

Recently Roye has been exploring the American South, making work in Louisiana, South Carolina, and Virginia. 

In the citation for Roye, the editors of Time note that Roye, "As a black photographer who has spent the last few years shining a light on the difficulties of other black men, women and children across America, he brings to his work an unwavering determination that can border on activism. 

"In fact, his Instagram profile is clear about his aim: he’s a humanist; an activist. A photographer with a conscience."

Roye's work gets to the heart of the tragic dilemmas of Southern history, documenting the long shadows they cast across contemporary America. 

Roye has certainly earned the right to be regarded as an Honorary Southern Photographer. 

UPDATED William Christenberry, 1936 - 2016

William Christenberry, distinguished Southern photographer and one of the nation's pioneer artists and fine art photographers, has died at the age of 80.  

Go here for his obituary from the New York Times.

Go here for the Washington Post's account. 

Go here for the report on NPR.

The Paris Review has published this memoir of Christenberry by Drew Bratcher.

Go here for a tribute by Richard King.

Go here for a tribute from the New Yorker. 

London's Guardian newspaper has published this tribute. 

ArtForum has posted this tribute. 


The American Scholar has published this essay by Andy Grundberg. 

Other notices and tributes here, from Front Page, and here, from PDNOnline, and also here, also from PDNOnline.   

Some time back, LensCulture posted an interview with Christenberry, here.   

Work by Christenberry is currently on display at the Pace/MacGill Gallery in NYC, through January 21st, 2017, go here. 

There will be a major retrospective show of Christenberry's work at the Maryland Institute College of Art in Baltimore, MD, opening on December 9th, 2016, and up through March 12th, 2017.

If you can get to Baltimore, this show is a not-to-be-missed event, since it includes a wide range of Christenberry's work both in photography and in other media as well.

The folks at the MCIA describe Christenberry's work as "Drawing on his explorations, recollections and interpretations of Hale County, Alabama, [and balancing]  the beauty, hopefulness and resilience of the deep south against its tensions, pathos and flaws.

"Moving fluidly between painting, photography, sculpture and drawing, the artist weaves a story that is simultaneously celebratory and melancholy, inviting and inhospitable."

Especially important for us today is the inclusion in this show of what the Maryland Institute calls "the charged and rarely exhibited Klan Room Tableau, a dense multimedia installation that is [Christenberry's] response to the Ku Klux Klan and human capacity for hatred and violence." 

The world of fine art photography in the American South feels deeply this grievous loss.